Read my article in Training Magazine!
The office location was prepped. The crew was ready, the actors
knew their lines, and we were all set to start shooting at 6 a.m. the
next day. But as I reviewed the shooting script for the hundredth time, I
started to have a nagging feeling that I hadn’t yet solved the most
critical problem of the production: how to make visible something that’s
invisible and unconscious?