UNCONSCIOUS BIAS: A FILMMAKER’S CHALLENGE
Read my article in Training Magazine!
The office location was prepped. The crew was ready, the actors knew their lines, and we were all set to start shooting at 6 a.m. the next day. But as I reviewed the shooting script for the hundredth time, I started to have a nagging feeling that I hadn’t yet solved the most critical problem of the production: how to make visible something that’s invisible and unconscious?