UNCONSCIOUS BIAS: A FILMMAKER’S CHALLENGE

 

Read my article in Training Magazine! The office location was prepped. The crew was ready, the actors knew their lines, and we were all set to start shooting at 6 a.m. the next day. But as I reviewed the shooting script for the hundredth time, I started to have a nagging feeling that I hadn’t yet solved the most critical problem of the production: how to make visible something that’s invisible and unconscious?

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